“Nothing without concerts” (“without” arranged as a vertical word stack)—rendered with immense gratitude through the piano-playing hands of international pianist Tatjana Worm Sawosskaja—radiates hope.
An oilpainting on the floor reflects the resonanzroom of a grande-piano.
LOGO of Bojan Basson - Visual Acoustics Lab
A grand piano serving as a gateway to answers. The isolated trio at the end of a terminal station platform—physically hauled there by bicycle on a lockdown morning at 4:30 AM, the bike hanging from the handlebars.
The piano wants to feel safe.
The digitally altered masks, symbolizing this phase, evoke Matisse in their artistic rendering—albeit unintentionally. The string instruments—deprived of concerts—feel isolated; yet they come together, uniting the location and the event in their expression.
Music races along the roads. Invisible. Even the clouds marvel at it.
Below: Piano-hands by Tatjana Worm-Sawosskaya, significantly reduced in size. Above: maskulin-hands of a intellectual landman.